A VISUAL LIFE | Creative Direction + Design

STREETSCAPES // work inc

Coworking spaces are rapidly growing in popularity and it’s no surprise since the way we work has changed so much. The rise of contractors, freelancers and startup businesses has proven that there’s a need for more flexible options. Individuals and small companies have embraced this office revolution because of the versatility of coworking sites. Many premises have 24/7 access which makes it convenient for people to choose their own hours and work during their most productive times. Working on your own can feel isolating, so having the chance to meet and socialise with others is an advantage. Not only can you get the interaction and support you normally wouldn’t have by being solo, it’s also a great way to network and collaborate.

Work inc is a truly unique space in Lavender Bay, at the base of the iconic Sydney Harbour Bridge. The heritage site was designed by BJB Architects and Brenchley Architects who have preserved the 100 year old raw, industrial look of the historic warehouses. There are 4 sections from Bay 6 to Bay 10 with designated zones in each bay to cater for every need. Providing private offices, permanent desks, meeting rooms, boardrooms, break-out areas, event zones and even a podcast studio. There’s also the award winning Bay Ten Espresso which serves great food and coffee. Having a café on-site is convenient and is also perfect as an informal spot to meet.

The interiors are cool with the prominent re-purposed shipping container elevator dominating the space. The heritage-listed arches, exposed concrete walls and stunning windows showcase the original architecture of the building. These rustic elements are contrasted with modern steel structures and glass pods. Artistic touches abound with murals and quirky decorating details which are creative and inspiring. This is truly an example of how an imaginative vision can create a fun working environment while forming a community of it’s own.

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TUCKER TIME // interior inspo

The main reason for dining out is eating good food and enjoying the company of family and friends. Atmosphere can make or break a restaurant, no matter how great the meal is. For me the interiors are also a major part of the experience and a constant source of inspiration and design ideas.

I’m hoping to renovate in the future so I’m already thinking about what I could do with my home. I know the Hamptons style has been overdone but since I’m by the water I feel like I need to pay homage with a little coastal chic. Santorini’s whitewashed simplicity, Spanish mission style architecture and French farmhouses or villas all appeal to me. Then there’s the rustic elegance and raw materials of the industrial look. My love of the Mid Century Modern era is obvious since I have many beloved pieces of furniture in my collection. Luckily I have plenty of time to work out which way I’m going to go. Decisions, decisions…

HOUSE CALL // the ideal home

Douglas Snelling chair and foot stool, 1957 (timber and synthetic webbing); Douglas Snelling cabinet, 1949 (timber); George Nelson ‘Bubble’ lamp, 1947-70s (plastic and metal)

Robin Boyd ‘House of Tomorrow’, designed 1949 (model made 1992)

Wolfgang Sievers ‘House of Tomorrow’ photographs, 1949 (printed 1990)

Grant and Mary Featherston ‘Numero IV’ lounge suite, 1973-74 (polyurethane foam, ABS plastic and wool); Grant and Mary Featherston dining setting, 1969 (stem, plastic, timber, metal, rubber and fabric); Korban/Flaubert ‘Swaylamp’ floor lamp, 2002 (background); Marc Newson ‘Helice’ floor lamp, 1993 (foreground)

Catherine O’Donnell ‘Sirius Topography (series)’, 2018 (3M vinyl tape 471)

Mid century modern style made a comeback years ago and it’s not going away any time soon and for good reason – great design. I recently saw The Ideal Home exhibition and although it’s very small, it’s worth it if you’re in the area (there’s a larger second site at MAAS Powerhouse in Ultimo). The exhibit shows a slice of history with examples of what a 20th century Australian home looked like with furnishings and household items from the MAAS Collection.

In this era Australia had one of the highest rates of home ownership in the world and suburbs grew quickly. Modern technology and mass manufacturing made goods readily available to consumers and time saving products allowed more leisure. While modernist designers created trends in architecture, interiors and design internationally, Australian pioneers made their own mark. Architect Robin Boyd’s creations are featured as well as iconic furniture designers Grant and Mary Featherston.

Another interesting and unexpected element was the installation of drawings of the Sirius brutalist apartment block. I’ve written before about the threat of redevelopment that the iconic building is facing in my Save Our Sirius post. Catherine O’Donnell has covered the walls with tape outlines of the Sirius footprint, floor plans and elevations to showcase this treasure in a fresh way.

Australians embraced mid century modern as it represented comfort, style and function. 100 years later it is a lifestyle that we still aspire to today.

INSTA-JAM // 2018 flew

        

Usually I post a visual diary and show a snapshot from each month at the end of the year, but 2018 flew by and before you know it we’re at the end of January 2019. It’s a little late but here are some highlights from my Instagram that I hope you enjoy and feel free to browse my feed. I have to say that I used to be much more consistent and I think we all go through that social media fatigue at some stage. It is still a great medium to express yourself and connect with people but I’m taking Marie Kondo’s ‘KonMari’ approach – only if it sparks joy!

STREETSCAPES // give me a sign

It’s obvious from my posts that I love architecture, typography and anything vintage so these old finds are right up my alley. This bar in Rozelle is new but the clever retro design of the sign in a weathered style gives it an old world look. The empty shopfront in Bondi features original signwriting in the window with a pretty pink and white tile facade probably dating back to the 1950’s. The Royal in Bondi has just been revamped and I’m glad to see that the character of the pub has been retained. Sadly the tile words outside have been removed so I’m glad I captured it before they disappeared. I’ve shown examples of tiled signage in a previous post and it would be great to salvage them but I know tiles are difficult to remove successfully. These letters would have been so cool reinstalled by a swimming pool – fancy a dip?

DEAR DIARY // etsy made local

 

 

Being a designer I’m always on the lookout for inspiring new artists and makers. On the weekend I went to Sydney Made at Centennial Park, which is the market held by Etsy Made Local. Crafters and artisans are able to sell their wares straight to the community as well as meet customers in person from their Etsy online store.

It was lovely to wander the beautiful grounds and see the variety of products available while meeting the creative talent. It feels good to support small businesses and also discover a unique find that is not mass produced.

My personal highlight was visiting my friend Catherine’s stall of stunning homewares for her brand Splendid Wren Ceramics. The display was amazing and her handmade clay creations were very popular with the locals. Her style is natural, textured and earthy and she deserves every success doing the work she truly loves. A new bud vase (like the ones you can see above) has found a spot in my home and it brings a smile to my face as bright as the yellow flowers that came with it.

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